Authors
Alexandros
Carmine
Melanie Abrams
Julius Addlesee
Shelley Aikens
A. Aimee
Jeanne Ainslie
Fredrica Alleyn
Rebecca Ambrose
Diane Anderson-Minshall
Laura Antoniou
Janine Ashbless
Lisette Ashton
Gavin Atlas
Danielle Austen
J. P. Beausejour
P.K. Belden
Tina Bell
Jove Belle
Mattilda Bernstein Sycamore
Ronica Black
Candace Blevins
Primula Bond
Lionel Bramble
A. J. Bray
Samantha Brook
Matt Brooks
Zetta Brown
James Buchanan
Louisa Burton
Angela Campion
Angela Caperton
Annabeth Carew
Julia Chambers
Dale Chase
M. Christian
Greta Christina
Valentina Cilescu
Rae Clark
NJ Cole
Christina Crooks
Julius Culdrose
Portia da Costa
Alan Daniels
Angraecus Daniels
Dena De Paulo
Vincent Diamond
Susan DiPlacido
Noelle Douglas-Brown
Hypnotic Dreams
Amanda Earl
Hank Edwards
Jeremy Edwards
Stephen Elliott
Madelynne Ellis
Justine Elyot
Aurelia T. Evans
Lucy Felthouse
Jesse Fox
I. G. Frederick
Simone Freier
Louis Friend
Polly Frost
William Gaius
Bob Genz
Shanna Germain
J. J. Giles
Lesley Gowan
K D Grace
K. D. Grace
Sacchi Green
Ernest Greene
Tamzin Hall
R. E. Hargrave
P. S. Haven
Trebor Healey
Vicki Hendricks
Scott Alexander Hess
Richard Higgins
Julie Hilden
E. M. Hillwood
Amber Hipple
William Holden
Senta Holland
David Holly
Michelle Houston
Debra Hyde
M. E. Hydra
Vina Jackson
Anneke Jacob
Maxim Jakubowski
Kay Jaybee
Ronan Jefferson
Amanda Jilling
SM Johnson
Raven Kaldera
J. P. Kansas
Kevin Killian
D. L. King
Catt Kingsgrave
Kate Kinsey
Geoffrey Knight
Varian Krylov
Vivienne LaFay
Teresa Lamai
Lisa Lane
Randall Lang
James Lear
Amber Lee
Nikko Lee
Tanith Lee
Annabeth Leong
James W. Lewis
Marilyn Jaye Lewis
Ashley Lister
Fiona Locke
Clare London
Scottie Lowe
Simon Lowrie
Catherine Lundoff
Michael T. Luongo
Jay Lygon
Helen E. H. Madden
Nancy Madore
Jodi Malpas
Jeff Mann
Alma Marceau
Sommer Marsden
Gwen Masters
Sean Meriwether
Bridget Midway
I. J. Miller
Madeline Moore
Lucy V. Morgan
Julia Morizawa
David C. Morrow
Walter Mosley
Peggy Munson
Zoe Myonas
Alicia Night Orchid
Craig Odanovich
Cassandra Park
Michael Perkins
Christopher Pierce
Lance Porter
Jack L. Pyke
Devyn Quinn
Cameron Quitain
R. V. Raiment
Shakir Rashaan
Jean Roberta
Paige Roberts
Sam Rosenthal
D. V. Sadero
C Sanchez-Garcia
Lisabet Sarai
R Paul Sardanas
R. Paul Sardanas
Elizabeth Schechter
Erica Scott
Kemble Scott
Mele Shaw
Simon Sheppard
Tom Simple
Talia Skye
Susan St. Aubin
Charlotte Stein
C. Stetson
Chancery Stone
Donna George Storey
Darcy Sweet
Rebecca Symmons
Mitzi Szereto
Cecilia Tan
Lily Temperley
Vinnie Tesla
Claire Thompson
Alexis Trevelyan
Alison Tyler
Gloria Vanderbilt
Vanessa Vaughn
Elissa Wald
Saskia Walker
Kimberly Warner-Cohen
Brian Whitney
Carrie Williams
Peter Wolkoff
T. Martin Woody
Beth Wylde
Daddy X
Lux Zakari
Fiona Zedde
Sanctuary: Winter HowlSanctuary: Winter Howl
By: Aurelia T. Evans
Total-E-Bound Publishing
ISBN: B00ASOWPAG
December 2012





Reviewed By: Ashley Lister

This is from the opening blurb to Winter Howl:

Renee Chambers, a moderate-level agoraphobe, runs a no-kill dog sanctuary that doubles as a haven for canine shapeshifters. Britt, her best friend who also acts as Renee’s service dog, coaxes an anxious but curious Renee into a romance that has more than a little electricity. With her organisation running smoothly and a girlfriend who loves her, life could be worse.

Then Grant Heath, a rogue werewolf, shows up and turns her safe little world upside down and inside out, with a side of out of control. She knows it’s a terrible idea, but when she’s with him, she feels different from her tightly wound, controlled self—she almost feels normal. He never does anything she doesn’t want, but he also doesn’t care how far he pushes her beyond her agoraphobic limitations.

I’ve got that out of the way early because it’s easier for the writer to explain this plot rather than me stumble through an explanation of what I understood from my reading of this book. Also, there seems to be an awful lot going on here and I didn’t want it to come across as though I was trying to overtell the story in précis form, or be glib about the expansive content.

To be honest, if I’d attempted a story of this magnitude, I think I might have trimmed some of these very ambitious plot threads. A full erotic novel could be worked around the theme of an agoraphobe. Or, a full erotic novel could be worked around the theme of someone working in a dog sanctuary. And it goes without saying that plenty of stories have been written about love triangles and shapeshifting/werewolves.

But that ambition is likely what is fuelling Aurelia T Evans with this title, billed as Book One in the Sanctuary Series. There is a lot of story to tell here and, whilst this is a complete story, Winter Howl is just the opener.

This is an example of the writing from Winter Howl when Renee and Britt are out together.

She was not against the notion of women with women—she just did not know where she fit into the notion of women with women. Sexuality in general was relaxed among her shapeshifters, in part because the issues people had with sex were often not an issue among their canine companions. Hence the red faces and apologies in polite society when Duke tried to mount Spot or when Cinnamon tried to mount Lily. Renee, having been raised around dogs who naturally engaged in sexual activity amongst themselves and shapeshifters who did the same, was not fazed by the theory or practice of sex. She had just never engaged in much more than masturbatory exploration, which had been okay with her, for the most part. The idea of being attracted to someone was an abstraction with very few exceptions in her life, the kiss with Josh being one of them and the attraction that Jake and Britt had for her and each other being another.

The hair stroking did feel good, though. But another part of her was beginning to make her skin hum a little less pleasantly. She felt frozen in place, caught between liking the strokes and disliking the sensation of not having a handle on the moment.

Britt removed the hand, and her placatory grin was a little wry. “Sorry, was I pushing things?”

The ‘no’ caught in Renee’s throat, but she was able to say, “Wasn’t sure what to make of it. I need to go check supplies in the shifters’ barn.”

“Sorry,” Britt said.

“No. Don’t be.” And that she said it meant that it was true.

For my tastes this seems to be more telling than showing. I enjoy writing that presents description and allows me to make up my own mind as to whether or not Character A enjoys the company/ministrations of Character B. That’s not to say that the style of writing I prefer is better to or superior. I’m just saying here that I prefer a less expository narrative style that allows for personal interpretation whilst Aurelia T Evans doesn’t allow scope for ambiguity.

Grant’s arm was around her stomach, but he wasn’t too near her, and she was easily able to slip away, biting back the urge to groan as her body protested. But Grant’s breathing was still even, so she assumed she had not woken him.

And even if she had, Renee thought, Screw it.

She bent over, hissing through her teeth, and pulled out the toiletry bag she had packed. Once she was in the bathroom, she shut the door and turned on the light. As she started the water for a bath, first cold for a while, then hot, she took a cursory look at herself.

If she had not known that the marks on her body had been made during particularly rigorous and sometimes violent sex, she probably would have been even more concerned, but as it was, she was only moderately so. She stood up to look at herself in the mirror. It was even worse that way—there were bite marks all over her body, some of them just bruises, others bordering on broken skin. Bruises where he had held her too hard or where she had hit herself on furniture. Claw marks all down her legs. The place on her arm where she had bitten herself. She thought she should be ashamed of them, and although she was slightly horrified, it was more because of their appearance, not because of what had caused them. At least it was winter, and there would not be much cause for someone to ask about places on her body that they would never get the chance to see.

This is a title that touches on many of the most popular themes in contemporary fiction. We have erotica and shapeshifters and the realism of a character struggling to combat a stifling condition such as agoraphobia.  On a personal level, this story didn’t work for me. However, I can understand how it would appeal to a lot of readers.