Authors
Alexandros
Carmine
Melanie Abrams
Julius Addlesee
Shelley Aikens
A. Aimee
Jeanne Ainslie
Fredrica Alleyn
Rebecca Ambrose
Diane Anderson-Minshall
Laura Antoniou
Janine Ashbless
Lisette Ashton
Gavin Atlas
Danielle Austen
J. P. Beausejour
P.K. Belden
Tina Bell
Jove Belle
Mattilda Bernstein Sycamore
Ronica Black
Candace Blevins
Primula Bond
Lionel Bramble
A. J. Bray
Samantha Brook
Matt Brooks
Zetta Brown
James Buchanan
Louisa Burton
Angela Campion
Angela Caperton
Annabeth Carew
Julia Chambers
Dale Chase
M. Christian
Greta Christina
Valentina Cilescu
Rae Clark
NJ Cole
Christina Crooks
Julius Culdrose
Portia da Costa
Alan Daniels
Angraecus Daniels
Dena De Paulo
Vincent Diamond
Susan DiPlacido
Noelle Douglas-Brown
Hypnotic Dreams
Amanda Earl
Hank Edwards
Jeremy Edwards
Stephen Elliott
Madelynne Ellis
Justine Elyot
Aurelia T. Evans
Lucy Felthouse
Jesse Fox
I. G. Frederick
Simone Freier
Louis Friend
Polly Frost
William Gaius
Bob Genz
Shanna Germain
J. J. Giles
Lesley Gowan
K D Grace
K. D. Grace
Sacchi Green
Ernest Greene
Tamzin Hall
R. E. Hargrave
P. S. Haven
Trebor Healey
Vicki Hendricks
Scott Alexander Hess
Richard Higgins
Julie Hilden
E. M. Hillwood
Amber Hipple
William Holden
Senta Holland
David Holly
Michelle Houston
Debra Hyde
M. E. Hydra
Vina Jackson
Anneke Jacob
Maxim Jakubowski
Kay Jaybee
Ronan Jefferson
Amanda Jilling
SM Johnson
Raven Kaldera
J. P. Kansas
Kevin Killian
D. L. King
Catt Kingsgrave
Kate Kinsey
Geoffrey Knight
Varian Krylov
Vivienne LaFay
Teresa Lamai
Lisa Lane
Randall Lang
James Lear
Amber Lee
Nikko Lee
Tanith Lee
Annabeth Leong
James W. Lewis
Marilyn Jaye Lewis
Ashley Lister
Fiona Locke
Clare London
Scottie Lowe
Simon Lowrie
Catherine Lundoff
Michael T. Luongo
Jay Lygon
Helen E. H. Madden
Nancy Madore
Jodi Malpas
Jeff Mann
Alma Marceau
Sommer Marsden
Gwen Masters
Sean Meriwether
Bridget Midway
I. J. Miller
Madeline Moore
Lucy V. Morgan
Julia Morizawa
David C. Morrow
Walter Mosley
Peggy Munson
Zoe Myonas
Alicia Night Orchid
Craig Odanovich
Cassandra Park
Michael Perkins
Christopher Pierce
Lance Porter
Jack L. Pyke
Devyn Quinn
Cameron Quitain
R. V. Raiment
Shakir Rashaan
Jean Roberta
Paige Roberts
Sam Rosenthal
D. V. Sadero
C Sanchez-Garcia
Lisabet Sarai
R Paul Sardanas
R. Paul Sardanas
Elizabeth Schechter
Erica Scott
Kemble Scott
Mele Shaw
Simon Sheppard
Tom Simple
Talia Skye
Susan St. Aubin
Charlotte Stein
C. Stetson
Chancery Stone
Donna George Storey
Darcy Sweet
Rebecca Symmons
Mitzi Szereto
Cecilia Tan
Lily Temperley
Vinnie Tesla
Claire Thompson
Alexis Trevelyan
Alison Tyler
Gloria Vanderbilt
Vanessa Vaughn
Elissa Wald
Saskia Walker
Kimberly Warner-Cohen
Brian Whitney
Carrie Williams
Peter Wolkoff
T. Martin Woody
Beth Wylde
Daddy X
Lux Zakari
Fiona Zedde
Andrea at the CenterAndrea at the Center
By: J. P. Kansas
Pink Flamingo
ISBN: B00BFG8T42
February 2013 (Previously published by Masquerade in 1997)





Reviewed By: 'Nathan Burgoine

How do you feel about plot, mystery, revelation and narrative in your erotica?

The answer to that question will tell me whether or not to recommend Andrea at the Center.

If what you’re looking for is a series of scenes with a wide variety of kinks, you’re in luck. Andrea at the Center starts with the erotic content pretty much from step one. It’s also well done, from Andrea’s discovery of her bisexuality, to submissions, dominations, bondage, group scenes, shaving... Well, like I said, it runs through a wide variety of kinks, and as scenes, they’re successful, individually.

The crux of my trouble with Andrea at the Center was two-fold, though. One, my answer to the question of plot, mystery, revelation and narrative is that I love them. I want them in my erotica. I like to have something to figure out – even if really all I’m figuring out is that the heroine will end up with the hero (or whatever permutation I’m reading). I want those miscommunications and depths of character, and I want to see an arc where the character grows.

Andrea at the Center just didn’t quite give me that.

To my point, let me explain the set-up to this story: Andrea is jogging, and is abducted and kidnapped. While she spends a short time teary and begging to be let go and promising not to press charges, it seems to last roughly five minutes or so before she calms down enough to learn she’s been taken to the Center – a castle where people are kidnapped and they learn to be themselves before they’re let go again.

Wait.

What?

This premise actually had me intrigued. Who would do this? Why Andrea? But Andrea seemed to calm down far too quickly – and indeed, as soon as she gets to her private cell, she’s masturbating in the shower and having a right good orgasm. Because..?

That’s my second problem with Andrea at the Center. Despite the title, I never quite “got” her. She didn’t make a connection to me. Or, rather, I couldn’t connect to her. I never felt like I understood anything about her, what her life was about, or why she loved Michael (she’s engaged to Michael, but I never quite felt like she was all that shook up about not being with him). Lip service is paid, but between the shattering orgasms and throbbing breasts I just never found Andrea’s core.

Again, this isn’t to say there isn’t enjoyment to be had with Andrea at the Center. Her sexual evolution/education/abduction is interesting. Individually, the scenarios are hot and expose Andrea to more and more that she finds arousing, or frightening (or both) and deliver on their promise.

But the whole story of the Center? How it works? Why it’s there? What happened and why Andrea was selected? If that premise is one that you find intriguing – like I did – don’t expect any sort of resolution. That was the biggest let-down of the whole book, and the actual ending paragraphs made me groan out loud in frustration. I don’t need a narrative that explains every wrinkle. I don’t need a story that ties it all up for me in a bow. But I do need something better than what came at the end of Andrea at the Center.

It’s too bad. The premise had such potential. The writing itself is really good. But the narrative just annoyed me too much.