Authors
Alexandros
Carmine
Melanie Abrams
Julius Addlesee
Shelley Aikens
A. Aimee
Jeanne Ainslie
Fredrica Alleyn
Rebecca Ambrose
Diane Anderson-Minshall
Laura Antoniou
Janine Ashbless
Lisette Ashton
Gavin Atlas
Danielle Austen
J. P. Beausejour
P.K. Belden
Tina Bell
Jove Belle
Mattilda Bernstein Sycamore
Ronica Black
Candace Blevins
Primula Bond
Lionel Bramble
A. J. Bray
Samantha Brook
Matt Brooks
Zetta Brown
James Buchanan
Louisa Burton
Angela Campion
Angela Caperton
Annabeth Carew
Julia Chambers
Dale Chase
M. Christian
Greta Christina
Valentina Cilescu
Rae Clark
NJ Cole
Christina Crooks
Julius Culdrose
Portia da Costa
Alan Daniels
Angraecus Daniels
Dena De Paulo
Vincent Diamond
Susan DiPlacido
Noelle Douglas-Brown
Hypnotic Dreams
Amanda Earl
Hank Edwards
Jeremy Edwards
Stephen Elliott
Madelynne Ellis
Justine Elyot
Aurelia T. Evans
Lucy Felthouse
Jesse Fox
I. G. Frederick
Simone Freier
Louis Friend
Polly Frost
William Gaius
Bob Genz
Shanna Germain
J. J. Giles
Lesley Gowan
K D Grace
K. D. Grace
Sacchi Green
Ernest Greene
Tamzin Hall
R. E. Hargrave
P. S. Haven
Trebor Healey
Vicki Hendricks
Scott Alexander Hess
Richard Higgins
Julie Hilden
E. M. Hillwood
Amber Hipple
William Holden
Senta Holland
David Holly
Michelle Houston
Debra Hyde
M. E. Hydra
Vina Jackson
Anneke Jacob
Maxim Jakubowski
Kay Jaybee
Ronan Jefferson
Amanda Jilling
SM Johnson
Raven Kaldera
J. P. Kansas
Kevin Killian
D. L. King
Catt Kingsgrave
Kate Kinsey
Geoffrey Knight
Varian Krylov
Vivienne LaFay
Teresa Lamai
Lisa Lane
Randall Lang
James Lear
Amber Lee
Nikko Lee
Tanith Lee
Annabeth Leong
James W. Lewis
Marilyn Jaye Lewis
Ashley Lister
Fiona Locke
Clare London
Scottie Lowe
Simon Lowrie
Catherine Lundoff
Michael T. Luongo
Jay Lygon
Helen E. H. Madden
Nancy Madore
Jodi Malpas
Jeff Mann
Alma Marceau
Sommer Marsden
Gwen Masters
Sean Meriwether
Bridget Midway
I. J. Miller
Madeline Moore
Lucy V. Morgan
Julia Morizawa
David C. Morrow
Walter Mosley
Peggy Munson
Zoe Myonas
Alicia Night Orchid
Craig Odanovich
Cassandra Park
Michael Perkins
Christopher Pierce
Lance Porter
Jack L. Pyke
Devyn Quinn
Cameron Quitain
R. V. Raiment
Shakir Rashaan
Jean Roberta
Paige Roberts
Sam Rosenthal
D. V. Sadero
C Sanchez-Garcia
Lisabet Sarai
R Paul Sardanas
R. Paul Sardanas
Elizabeth Schechter
Erica Scott
Kemble Scott
Mele Shaw
Simon Sheppard
Tom Simple
Talia Skye
Susan St. Aubin
Charlotte Stein
C. Stetson
Chancery Stone
Donna George Storey
Darcy Sweet
Rebecca Symmons
Mitzi Szereto
Cecilia Tan
Lily Temperley
Vinnie Tesla
Claire Thompson
Alexis Trevelyan
Alison Tyler
Gloria Vanderbilt
Vanessa Vaughn
Elissa Wald
Saskia Walker
Kimberly Warner-Cohen
Brian Whitney
Carrie Williams
Peter Wolkoff
T. Martin Woody
Beth Wylde
Daddy X
Lux Zakari
Fiona Zedde
The Last Mustang on EarthThe Last Mustang on Earth
By: P. S. Haven
Excessica Publishing
ISBN: B0044DENFC
September 2010





Reviewed By: Ashley Lister

Someone wittier than me once said: nostalgia isn’t what it used to be.  I can’t tell you how much I laughed at that line.  Probably because I didn’t.  And I only mention it here because there is a strong element of nostalgic appeal to P S Haven’s bildungsroman story, The Last Mustang on Earth.

I ought to declare a vested interest here before I go any further.  I’ve enjoyed a lot of Haven’s short fiction through a variety of anthologies, and I’ve even invited the author to be a guest blogger on one site.  Haven is a respected writer with a lurid imagination and a gift for getting the realism of a situation onto the printed page. 

That said, even without the vested interest, I would be praising this novel and urging anyone with an interest in erotica to rush out and treat themselves to this as an early Christmas present.

The ‘80s didn’t end until 1991. At least for me they didn’t.  

A lot of my friends would look back and say the decade ended with the release of Nevermind.  For others it was the invasion of Kuwait and Operation Desert Storm. For most, it was high school graduation and going away to college.

But for me it wasn’t any particular album or band, no specific cultural event that signaled the end of the era.  No, for me, the 1980s ended September 21, 1991. The night I got my first blowjob.

This is how Haven’s story begins, and the rest of the narrative is a leisurely build to that particular climax. 

I mentioned nostalgia at the beginning of this review because there is a strongly nostalgic feel to the writing.  Haven introduces us to smalltown America through the eyes of a teenager on the verge of maturity.  The rites of passage in contemporary western society revolve around sex, cars, sexual fantasy, music, and more sex.  We live in a world built on the commercial success of capitalism, where every object and experience can be commodified as an acquirable piece of property.  If cars and music can be craved, coveted and acquired, surely the same rules apply to the fulfilment of sexual fantasies?
It’s possible that the sexual fantasy element of this story has the most striking impact. 

Anyone who was ever a teenager (and hopefully that’s most of us) will recall the endless days of hormone-fuelled fantasies that made the boundaries of reality blur.  Haven recreates these scenes of testosterone-driven desire through the eyes of his narrator, seldom giving the reader a chance to understand when reality ended and when the fantasy began.  It’s a bold idea and stays true to the magical period of fading adolescence where the fantasy image of adulthood begins to coalesce into the reality of maturity.  What, one day, strikes us as the fodder for outrageous speculation (owning a dream car, affording two CDs in one month, enjoying that venerated blowjob) suddenly becomes a possibility.  Haven captures this spirit of burgeoning maturity with style and finesse.

For anyone with fond recollections of growing up in the 80s, this book is a slice of time-travel that reminds the reader of what was once incredibly important in all of our lives.  And, for those of us who have yet to grow up in any decade, it provides an exciting, interesting and powerful read.

Nostalgia may no longer be what it used to be.  But this title gives us a reminder of how powerful it can be when it’s done properly.